The Rastafari Unpopular Facts

Rastafarians Do Not Say “We” for Plurality

The religious meaning is that a Rastafari is a part of god, at the same time a living man, which is exactly described as an “I” (as the personal pronoun). Because everyone is an “I”, the Rastafari does not say “we” for plurality, but says “I and I”. They often replace some syllables with “I”, like, “eternal” translated into “I-ternal”, “creator” into “I-reator” and “hour” into “I-owa”. The Roman numeric one, which is also I, follows the name of Haile Selassie I, demonstrating the divinity of His Imperial Majesty, Rastafarians believe.

Vocabulary

To make this post clear, we suggest several definitions, many of us, marijuana lovers, already know who is Selassie and why the Lion, yet we pack it briefly into this, err, vocabulary:

Jah — is the name of God in Rastafarian religion, basically the Abrahamic branch, along with Judaism, Islam and all sects of Christianity. Jesus, Jahvee, Allah, Jah, whatever you call it is still the same “personality” (monoteistic deity) of all Abrahamic religions (or branches).

Haile Selassie I — is the last King of Ethiopia, His Imperial Majesty (H.I.M.), the King of Kings, and the central person and the Messiah (second coming of Christ, no less) in the Rastafarian religion. Rastafarians believe he is the direct decendant of biblical King Solomon and Queen of Sheba, therefore a holy person and the deity which they practically worship. And then Ethiopia is Caanan, the promised land.

★ Zion, or Mount Zion — is a biblical place, which Rastfarians have “moved” from Israel to Africa, in their belief. The traditional (christian) definition of heaven has been rejected as a “spiritual place in the sky”, promoting then that the Mount Zion is the “heaven on earth”.

★ Babylon — is every negative aspect of the “western culture”, which Rastafarian religion opposes in the lyrics of ska and reggae, namely: the law enforcement, the government when going mad, sometimes UK, almost always USA, along with specific political leaders including but not limited to Vatican religious authorities, etc, etc.

That’s it, and we continue listing up the rare facts about Rastafarians:

Ska

Ska was a pop-version of reggae, called “bluebeat” in England, a mix of jazz and blues, outdated by now and rarely in use, so to say: a precursor of reggea. Developed in 1950-60s as a mild protest against social and political conditions in Jamaica. While sounding happy and content ska rhythmes were about pain and suffering of people of Jamaica under governmental regime, very alike to Reggea but in a softer manner of blues. Ska also introduced Jamaican drumming for the first time, long before the transformation into reggea. Famous ska titles were: “Oh Carolina”, “Another Moses”, “Babylon Gone”.

Female Corruptive Influence

Ska musicians expressed deep personal pain they gain from the political forces, and also (surprise!) the pain from the “corruptive influence of a female”, promoting that the temptation of female flesh eventually leads in general to broken hearts, loneliness and teardrops. Well, this explains a lot the meaning of Bob Marley’s “No woman, no cry”, while being romantic in sound it is practically a desgrace of the female role in a society. Not a popular opinion nowadays. Oops!

There are (at least) two monuments to Judah Lion in Addis Ababa

Historically, the Lion is the symbol of the Judah tribe, and is a symbol of the Rastafarian movement, because biblical King Solomon was of the Judah tribe, which also means that His Imperial Majesty King of Kings Haile Selassie is of the Judah tribe as well. The Lion is depicted in his coat of arms, and there are TWO beautiful monuments to this Lion in Addis Ababa.

One was erected in 1930, on the occasion of coronation of Haile Selassie I:

Biblical Judah Lion, symbol of Ehiopia, also in the coat of arms of Haile Selassie, so respected by all cannabis community of the world
Judah Lion, Addis Ababa, erected in 1930 – on coronation of Haile Selassie I

And another one, comissioned in 1954 by His Imperial Majesty Haile Selassie I:

Judah Lion, symbol of Rastafarian religion, Rastafarian movement, and of all cannabis community
Judah Lion, Addis Ababa, erected in 1954, by H.I.M. Haile Selassie

Sometimes, the Lion of Judah is called the Lion of Zion. Both are correct more or less.

Some of Rude Boys were Rastafarians

In 1965 in Jamaica the unemployed ghetto youths, 14-25 years old, living in the shanytown of Kingston, the capital city of Jamaica, formed the strong and well-organized rebellion force armed with knives, cutlasses and guns. They became a certain threat to the middle class, looting houses and shops, clashing violently and quite successfully against the law enforcement, living only for “run faster, jump higher, fuck longer” as they claimed. Rude Boys embraced the image of an outlaw hero, and a symbol of new generation opposing to the system which (they suggested) produced the unemployment and poverty in Jamaica. Guess, that for “ruddies” marijuana was not a spirituality.

However, some were pretending to be and claiming they were Rastafarians, adopting the the Rastafarian language, appearance, dreadlocks. Consequently, citizens of Jamaica organically associated Rude Boys to the already existing negatively lunatic image of Rastafari.

Rastafarians in their turn hardly supported any connection to rudies, and denied it simply because they had never encouraged, neither promoted as a valid solution any violent action towards to or suffering for other people in exchange for gaining own liberty. Rastafarians and Rude Boys, both highlighting the identical goals to “fight” povetry and oppression, indeed espoused two radically different ideologies.

Haile Selassie influenced the incorporation of “rudies” into Reggae

While Haile Selassie’s only visit to Jamaica, in 1966, about 100,000 people wer in the airport, it was said, that about only 10,000 of them were Rastafarians, smoking bongs and chanting. The long-awaited Messiah finally arrived on the island. His Imperial Majesty’s mission (among other goals) was to influence the public opinion persuading political leaders of Jamaica that the Rastas could no longer be written off as “dangerous freaks”.

King Haile Selassie in culture, “Civilization V” videogame

And, at the same exact time, King of Kings has spoken to Rastafarian leaders and proposed a new concept to them — to refuse the idea of physical repatriation to Africa (to the biblical Canaan, the promised land) but replacing it with the idea of political liberation of Jamaica.

Since then — the Rastafarian music, the Reggea, already transforming from Ska to Reggae under influence of R&B, applied to be relatively aggressive and more political. The reggae musicians since then have applied to building the heroic image out of “ruddies” (Rude Boys), demonstrating the virtual alliance between Rude Boys and Rastafarians united from now on against the common enemy, the system that produced unemployment and poverty, the Babylon Evil.

From Ska passive crying Rastafarians slowly switched to Reggea-struggle, the sounds of reggae had changed to the sounds of a society in the process of transformation, religious Rastafarians became also a political power, eventually, promoting rebellion and liberation.

Why Ras Tafari

This is a pretty simple one, no mystics and no magic around. Rastafari worship the King of Kings, His Imperial Majesty Haile Selassie I (of Ethiopia), whose real-world name before being a king was Tafari Makonnen, who was a Duke of Harrar in Ethiopia in his youth as a crown prince, and “Ras” is the word for “Duke” in Ethiopian language. Ras Tafari = Duke Tafari, the ruler of Harrar.

Love is the very idea

The said may call an “agressive image” for the western way of thinking but in reality the Rastarians oppose that western thinking dramatically, they are in reality the silent protesters, and the peaceful rebels, they express their claims and demands exclusively through the music and never mean a violent action. Love and Peace expressing it in asceticism.

Jamaica shanty villa - More Love Sol and Jah
Jamaican Shanty, more love

We are truly humble people whose response to evil is to flee from it

Bongo Dizzy says in “Bongo-man”, rastafarian newspaper, 1968

We have to go to Africa to live with our brothers and sisters there. Blacks remember, our King Haile Selassi grant land space for us in Ethiopia

Rasta Historian, the contributor-writer to “Bongo-man” newspaper, 1968
Rastafari Colors showing the Judah Lion, a symbol of Ras Tafari Religion and of the World Cannabis community
Rastafari Colors showing the Judah Lion, the symbol of Ras Tafari Religion and of the cannabis community, consequently.

Sinsemilla was her name, the bitch was hazy, drove men insane

Yet another weed poem by another artist, and it starts appearing like if we collect online literature, and this is a new entry to the marijuana poetry collection. The author however used the spelling SENSIMILIA while we’ve changed it to SINSEMILLA (from Spanish “sin semilla” which is translated as “without seeds”) and here is the text of our new wonderful piece of new-age poetry. Enjoy the reading!

Sinsemilla was her name… The Weed Poem

SINSEMILLA was her name,

the bitch was hazy, drove men insane!

Or so they thought, these men of Grey,

whom never smoked a little hay.

But the fever’s come their way,

they try to kill her, everyday.

weed poem

But Sensimilia was her name,

she spoke of truth in every say.

And so the Grey, they tried their way,

but never manage her to slay.

Until one day, when she slipped up,

and then the Grey got her by the gut.

weed poem

And now her children’s with the Grey,

and they all smoke them every day.

And what they Grey, know not,

it’s of what kids, the woman got.

And now this day the Lion’s come,

upon a boat, straight from Zion.

weed poem

But SINSEMILLA is her name,

the bitch is hazy, drives you insane!

And now all smoke her every day,

and praise as medicine in every say.

While SINSEMILLA grows strong,

and gives to all of us BIG BONGS.

(c) Angrybud.com

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